Tayzia Abattoir, the Aho's curator, has again put together an exceptional exhibition combining established and emerging artists. It is Red Randt's first exhibition, and Filthy Fluno is the best known artist to emerge from the virtual world of Second Life to the "real" world, having had a six page article in The New York Times Magazine.
Waning
by Feathers Boa
In this case the proximity dissolves the woman's image, revealing the remainder of the text. It is a thoughtful and satisfying series. The artist has mastered the technical aspects of this medium and is applying a maturing sense of narrative sequential art and metaphor.
We have seen many artists use interactivity in gimmicky ways, or for its own sake, but in this case it is integral to the work.
This is the first time we have seen Italian artist Maryva Mayo's work, abstract images that are in motion. They are beautiful, but transcend the decorative with a confident sense of spatial depth and interaction of line, form, and transformation.
The influence of abstract expressionism and gesture painting is strong. "La rinascita," for example, evokes Mark Tobey and Rothko.
La rinascita - La renaissance-The rebirth G
New introductions of energy
by Maryva Mayo
The images on this page are just snapshots of a moment in each of the works--you have to stay and watch them "perform" to fully experience them.
Cosmic explosion
by Maryva Mayo
You also can use your camera to go inside these works and experience them as a full screen light show, as in this internal view of "Dream / Sogni."
Dream / Sogni by Maryva Mayo
The 26 works by Red Randt exhibit a wide variety of techniques, primarily sculptural. Some are stationary, while others are active. "The Wobbly Building" (right) is a flexi prim work that collapses and "inflates."Several of this artist's works are "hommage,"--tributes to artists including Magritte (a pipe that says "This is not a Magritte") and this "soft" building, which is a tribute to Claes Oldenburg.
The Wobbly Building
by Red Randt
These works are well done and fun, with a sense of pun and wordplay. The artist's extensive notes, for example, are dispensed by clicking on this sculpture of notes:
Notes
by Red Randt
Filthy Fluno continues his exploration of Surrealism, Expressionism and Symbolism with mixed reality works that involve images inspired by his virtual world experiences, executed in real world pastel or oil paint, photographed, digitally manipulated, and imported into Second Life.
In some cases the image is duplicated and flipped, creating a bug-eyed creature from which the multilayered content emerges. The current work reminds us of Alfonso Ossorio.
New Glasses Mirrored #1/5 Aho Edition
by Filthy Fluno